India Gailey & Leah Plave
The Way Appears

out: October 30, 2026 on Redshift Records (TK595 CD/DL)
genres: modern composition, cello duo

INDIA GAILEY — indiagailey.com
LEAH PLAVE — leahplave.com
REDSHIFT RECORDS — redshiftrecords.org | redshiftmusicsociety.bandcamp.com

India Gailey & Leah Plave unveil a uniquely collaborative new collection of music for two cellos, The Way Appears — out on CD, digital, and Dolby Atmos via Redshift Records on November 13, 2026

Rather than hewing to the standard template of soloist plus accompaniment, typical of cello duos, the program of commissions highlights the strong individual voices of both players. The result is a batch of vivid duos that celebrate the visceral joy, creative power, and social necessity of cooperation. Composers took their inspiration from the concept of emergence, a phenomenon seen widely in nature where the individual parts of a system work together to exhibit complex behaviour they could not accomplish on their own: from the synchronicity of flocking birds and the fractal symmetry of snowflakes to the self-organized structures of political movements.

The album marks a decade of friendship between Gailey and Plave, who share a dedication to inclusive representation, a healthy skepticism toward the rigidity of their formal training, and a passion for evolving the tradition of classical music. Featuring a roster of composers mostly drawn from the Canadian contemporary classical music community, The Way Appears includes new works from Adam Vincent Clarke, Cris Derksen, Emily Kennedy, Leilehua Lanzilotti, Matthias McIntire, Kelly-Marie Murphy, and Jeff Reilly. Composer Cris Derksen, the innovative Indigenous cellist, passed away suddenly earlier this year. India and Leah are honoured to present her piece The Bee and Her Wildflower on the album as one of her final gifts.

Named by CBC as one of “30 hot Canadian classical musicians under 30,” India Gailey’s most recent album of her own compositions, Butterfly Lightning Shakes the Earth (2024), earned an East Coast Music award for Composer of the Year and a Juno nomination for Classical Album of the Year in 2025. Problematica (2024) and To you through (2022) also received widespread acclaim. She has toured throughout the Western hemisphere as a soloist, chamber musician, and collaborator, often working directly with living composers including Philip Glass, Yaz Lancaster, Amy Brandon, Fjóla Evans, Michael Harrison, Nicole Lizée, and Julia Mermelstein. Leah Plave has lived and toured extensively across North America, China, and Europe, and is currently based in the Netherlands. As a member of Pi Quartet, she performs music exclusively by living composers from all over the world. Her 2020 album Impressions: The Rediscovery of Henriette Bosmans, hailed as “a revelation” (Limelight), revived the unjustly forgotten work of the Dutch composer and pianist, whose music was banned by the Nazi regime.


COVERAGE:
List — Upcoming Releases, Tinnitist
List — Nye Releaser (30/10-26), Releasefredag!
List — Okay Friday
List — François Valenti, Nouveautés musicales du 30 octobre 2026, Caisse du son
News/ List — Darryl Sterdan, October 26 – November 1 • The Long List: 640+ Releases On The Way, Tinnitist
News — Eksperiment
News — Femmusic
News — Revista Marvin
Picks — The Moderns Selects, The Moderns (October 31, 2026)
Picks — Warren Ellis (9 November 2026)
Picks — Lars Gotrich/ Viking’s Choice, New Music Friday: Nyatiti Trance Music, Cosmic Samba, Tone Poem Fingerstyle, BuyMusicClub
Interview/ Article — Anya Wassenberg, INTERVIEW | Two Cellos: India Gailey & Leah Plave Talk About Their Upcoming Release The Way Appears, Ludwig Van/ Classical FM
Review — John Gilks, Opera Ramblings
Review — Hilary Seabrook
Review — Russell Trunk, Exclusive Magazine
Review/ Round-up — Jeremy Shatan, A Song For Friday: Or Best Offer, AnEarful
Review/ Round-up — Peter Margasak, The Best Contemporary Classical Music on Bandcamp, October 2026, Bandcamp Daily
Round-up — Album Roundup Week Ending 30 October 2026, Silent Radio
Round-up — A.I. House-Painter, Outsideleft Week in Music on the Gravy Train, OutsideLeft
Newsletter/ Round-up — Michael Donaldson, The Case for Melancholy as a Tool of Liberation, The ToneArm
Podcast — The Moderns #443
Podcast —  Different Noises, 163
Radio/ Chart — Weekly Top 10 Experimental/ Contemporary Classical, CJSW (November 4, 2026)
Radio — David Dalle, CKCU (November 12, 2026)
Radio — Flight Risk, KOPN (November 11, 2026)
Radio — In Concert, CBC (November 8, 2026)
Radio — The Morning Fog, WVUD (November 8, 2026)
Radio — Noise, CJSW (November 5, 2026)
Radio — Battiti, RAI Radio 3 (November 4, 2026)
Radio — On The Corner, XRay FM (November 3, 2026)
Radio/ Feature —Musing, CJSW (November 2, 2026)
Radio — Not Brahms and Liszt, WMBR (November 2, 2026)
Radio — Quid Novi, CHUO (November 2, 2026)
Radio — Rich Classics, WTUL (November 2, 2026)
Radio — Other Aspects, WAYO (November 1, 2026)
Radio — Humanoid Radio, CFRU (October 20, 2026)
Radio — The Floating Head of Zsa Zsa, WRUV (October 3, 2026)
Radio — The Modernist, PBS Australia (September 30, 2026)
Radio — The Modernist, PBS Australia (September 16, 2026)
Radio — Humanoid Radio, CFRU (September 15, 2026)
Radio — Pushing The Envelope, WHUS (September 12, 2026)
Radio — Electric Sense, CIUT (September 9, 2026)
Radio — Classical Connection, CFCR (September 9, 2026)
Radio — Syrup Moose Radio, CICK (September 8, 2026)
Radio — Icarus Radio, Urgent FM (September 6, 2026)
Radio — Serious Moonlight Sonatas with Carol, WFMU (September 6, 2026)
Radio — Something Else, KBGA (September 2, 2026)
Radio — The Floating Head of Zsa Zsa, WRUV (September 1, 2026)


 

 

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