
Christopher Butterfield — Souvenir (performed by Aventa Ensemble)
Out: March 31st, 2023 on Redshift Records (CD/ DL)
Genres: Modern Composition; Large Ensemble
Redshift Records : WEB | BANDCAMP
Victoria, British Columbia-based composer Christopher Butterfield follows his acclaimed collaboration with Quatuor Bozzini, 2017’s Trip, with Souvenir. The disc showcases hisdexterous and utterly unconventional handling of ensemble colour as well as his irrefutable personality. Each of its four constituent, expertly performed by veteran new music ensemble Aventa, unfolds vibrant aural scenery built from knotty contrapuntal figures and an ever-changing instrumental palette. Their animated gestures ricochet off of one another in a boisterous yet playful debate where tensions seldom resolve. Although this wild, abstract banter acts as the album’s through-line, Butterfield’s acute sense of restraint and balance carves out breath and generates variety throughout. Encompassing everything from a homage to Walter Benjamin to a wayward vibraphone concerto, Souvenir is full of surprising turns and oblique references.
Once praised as “highly original” by the late “Blue” Gene Tyranny, Butterfield’s professional trajectory has remained staunchly unconventional. In addition to partnerships with several noted interpreters, his career has variously included a recording of Kurt Schwitters’ legendary sound-poem Ursonate, collaboration with John Oswald, a residency with the Victoria Symphony, and installations with Sandra Meigs He has adjudicated for theInternational Gaudeamus Composition Competition and taught at the Ostrava Days Institute, in addition to holding an associate professorship at University of Victoria since 1996. Butterfield studiedcomposition with Czech-Canadian iconoclast Rudolf Komorous at the University of Victoria, BC, and Turkish-American composer Bülent Arel at Stony Brook University, NY. His work has appeared on releases from CBC Records, Artifact, and Editions Wandelweiser.
COVERAGE:
List — Upcoming Releases, Tinnitist
List — Can This Even Be Called Music — Weekly Release Dump 254
News — Enigma Online
News — African Paper
News — Radiohoerer
Profile — John Threlfall, Christopher Butterfield marks retirement with new album, University of Victoria Fine Arts Blog
Roundup — Peter Margasak, Best Contemporary Classical on Bandcamp: March 2023, Bandcamp
Roundup — Frank P. Eckert, Motherboard April 2023, Groove.de
Roundup — A Closer Listen, 2023 Spring Music Preview: Experimental
Mention/ Stream — Stir
Track Review — Michael Gutierrez, Hump Day
Review — Carme Miró, Sonograma (in Catalan)
Review — Ben Harper, Boring Like A Drill
Review — Andrew Timar, The WholeNote
Review — Ron Schepper, Textura
Review — Toon Traveler, OutsideLeft
Review — Nitestylez.de
Review / Podcast— Different Noises 4
Podcast — The Moderns (Episode 256)
Radio/ Chart — CJSF Top 10 (May 16, 2023)
Radio/ Chart — CJSF Top 10 (April 4, 2023)
Radio/ Chart — CJSF Top 10 (March 21, 2023)
Radio — Back Porch Serenade, WORT (May 30, 2023)
Radio — Flappy’s Den, KXSF (May 20, 2023)
Radio — Radio Eco Jujuy 90.5 (May 19, 2023)
Radio — Flappy’s Den, KXSF (May 14, 2023)
Radio — Flappy’s Den, KXSF (May 7, 2023)
Radio — Flappy’s Den, KXSF (April 30, 2023)
Radio — Flappy’s Den, KXSF (April 25, 2023)
Radio — Flappy’s Den, KXSF (April 23, 2023)
Radio — Flappy’s Den, KXSF (April 21, 2023)
Radio — Flappy’s Den, KXSF (April 14, 2023)
Radio — Floating Head of Zsa Zsa, WRUV (April 4, 2023)
Radio — Floating Head of Zsa Zsa, WRUV (March 7, 2023)
Radio — Floating Head of Zsa Zsa, WRUV (February 21, 2023)
Radio — Not Brahms And Liszt, WMBR (February 13, 2023)
Radio — No Pigeonholes, KOWS (February 2, 2023)
Radio — Not Brahms or Liszt, WMBR (January 16, 2023)
Radio — Floating Head Of Zsa Zsa, WRUV (January 10, 2023)